With a recent download, I received an invitation to try the music download service eMusic
. The incentive to do so was “50 free downloads,” which sounded like a lot. What did I have to lose?
I should say that I am not a regular consumer of MP3 music files. I have probably downloaded no more that a handful of songs over the years, a couple from the old Napster and Morpheus, and the rest from Web sites devoted particular artists or genres. I do own an MP3 player, but I use it more for its FM radio, for transfering files, and for recording voice or music than I do for actually playing MP3s. I am a long-time audiophile, and the notion of purchasing music in one format when it can be had in a higher-fidelity format is a hard sell.
Not surprising, my “50 free downloads” required that I sign up for a trial membership that would be converted automatically to a regular membership if I failed to cancel. I had every intention of cancelling—this sort of arrangement had cost me money in the past when I failed to pay close attention to offer details—but, since I had never used a fee-based download service, I was willing to try one. Nonetheless, when signing up, I used my American Express card—American Express is great in customer-merchant disputes—and selected the lowest-priced monthly plan for my post-trial membrship. This offered 40 downloads for $9.99.
There is much to like about eMusic. It is oriented toward albums, rather than individual songs. This suited me fine, as I am used to buying albums, not singles. One can purchase individual songs, of course, but eMusic does make it simple to download complete albums with a single click. I give the service high marks for its search capabilities, the annotations provided about albums, and its download software. I was somewhat less impressed by the music selection itself. I found few titles I actually searched for, though I had no trouble finding 50 items I wanted to download. I chose several complete albumns and half a dozen or so selections from others, mostly from the folk/country and classical categories. I was pleased that I could copy album cover art from the site and use it on the folder icons in my computer’s My Music folder.
Downloading whole albumns, it did not take long to exhaust my 50 downloads. It was now time to cancel my membership. Before doing so, however, I saw an "Upgrade" link and thought that I should review all my options first, since I didn’t recall the details of every membership level. I am used to making purchases on the Internet, so I expected to be given a set of options and several opportunities to say no before I had actually committed to a purchase. I clicked on the Upgrade link. Bad choice. I was congratulated for having purchased another month of the service, allowing me 40 additional downloads. This was an especially surprising outcome, since eMusic had missed an opportunity to sell me something more expensive. Apparently, however, the company was not going to miss an opportunity to earn something
out of the deal.
I was glad I had used my American Express card, but I was hoping I would not actually have to dispute a charge. Natually, I looked for a customer service telephone number. Naturally, I didn't find one. There was
a Web form for sending e-mail to eMusic, however, so I composed a complaint and request for a refund. I said, in part: “I am very angry at this aggressive piece of deceptive marketing. Please confirm that I will not be charged for another month. I WILL dispute any charge with American Express.”
This seems to have done the trick. The next e-mail message, which arrived the next day, read, in part: “Your eMusic account associated with the email address "email@example.com" is now canceled. We have issued you a refund in the amount of $9.99.” It was suggested that I check back later to reconsider subscribing. “Over the next several months, we're going to be enhancing the service with new features and new content.” The note failed to explain if the enhancements would include a more user-friendly e-commerce component.